{"id":37537,"date":"2023-05-11T14:25:00","date_gmt":"2023-05-11T11:25:00","guid":{"rendered":"https:\/\/www.asfa.gr\/?page_id=37537"},"modified":"2025-12-08T08:26:22","modified_gmt":"2025-12-08T06:26:22","slug":"list-of-postdoctoral-researchers","status":"publish","type":"page","link":"http:\/\/www.asfa.gr\/en\/research-at-the-department-of-art-theory-and-history\/postdoctoral-research\/list-of-postdoctoral-researchers\/","title":{"rendered":"List of postdoctoral researchers"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td><p><strong>No<\/strong><\/p><\/td><td><p><strong>Name<\/strong><\/p><\/td><td><p><strong>Subject of postdoctoral research<\/strong><\/p><\/td><td><p><strong>Supervisor<\/strong><\/p><\/td><\/tr><tr><td>\n<p>1.<\/p>\n<\/td><td><p>Katia Arfara<\/p><\/td><td><p>The relationship between Photography and the Artistic Movements in the Second Half of the 19th Century<\/p><\/td><td>N. Louizidi<\/td><\/tr><tr><td>\n<p>2.<\/p>\n<\/td><td><p>Foteini Vasileiou<\/p><\/td><td><p>Key Axes for a Phenomenological Critical Approach to Contemporary Neuroaesthetics<\/p><\/td><td>G<span style=\"font-size: revert; font-family: inherit; font-weight: inherit; color: initial;\">. Xyropaidis<\/span><\/td><\/tr><tr><td>\n<p>3.<\/p>\n<\/td><td>Konstantina Ntakolia<\/td><td><p>Representations of Defeat: The Greek-Turkish War of 1897<\/p><\/td><td>K. Ioannidis<\/td><\/tr><tr><td>\n<p>4.<\/p>\n<\/td><td><p>Thomas Symeonidis<\/p><\/td><td><p>Aesthetic Justice and the Dialectic of Mimesis \u2013 Construction within the Framework of the Critical Antagonism of Jacques Ranci\u00e8re with the Aesthetics of the Sublime of Theodor Adorno and Jean-Fran\u00e7ois Lyotard<span style=\"font-family: inherit; font-size: inherit; font-weight: inherit; background-color: rgb(255, 255, 255); color: initial;\"><\/span><\/p><\/td><td>G. Xiropaidis<\/td><\/tr><tr><td>\n<p>5.<\/p>\n<\/td><td><p>Eleana Margariti<\/p><\/td><td>Group-Thematic Exhibitions Organised by Private Individuals and Private Institutions in Greece from 1900 to 1940<\/td><td>K. Ioannidis<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>No Name Subject of postdoctoral research Supervisor 1. Katia Arfara The relationship between Photography and the Artistic Movements in the Second Half of the 19th Century N. Louizidi 2. Foteini Vasileiou Key Axes for a Phenomenological Critical Approach to Contemporary Neuroaesthetics G. Xyropaidis 3. Konstantina Ntakolia Representations of Defeat: The Greek-Turkish War of 1897 K. [&hellip;]<\/p>\n","protected":false},"author":60,"featured_media":21656,"parent":35870,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-thiste.php","meta":{"footnotes":""},"class_list":["post-37537","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/pages\/37537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/comments?post=37537"}],"version-history":[{"count":1,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/pages\/37537\/revisions"}],"predecessor-version":[{"id":37538,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/pages\/37537\/revisions\/37538"}],"up":[{"embeddable":true,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/pages\/35870"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/media\/21656"}],"wp:attachment":[{"href":"http:\/\/www.asfa.gr\/en\/wp-json\/wp\/v2\/media?parent=37537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}